News / Events

Teresa Burga featured in Hyperallergic. 

Hassan Sharif's Shoes (2016) featured in Gulf News. 

Teresa Burga featured in artnet News.

Melvin Edwards discussed on the Athaneum Review podcast with Catherine Craft.

Lorraine O'Grady featured in artnet News' Editors' Picks.

Melvin Edwards' work in Solidary & Solitary: The Joyner/Giuffrida Collection at the Smart Museum of Art reviewed in the Chicago Tribune by Lori Waxman. 

Lorraine O'Grady included in an Artforum feature on Frieze, Just Above Midtown. 

Lorraine O'Grady featured in an ARTnews article on Frieze, Just Above Midtown. 

Luis Camnitzer's Insults (2012/2019) is included in the exhibition Idioglossia curated by Xinyi Ren at the School of Visual Arts, CP Projects Space, Brooklyn, NY.

Coco Fusco featured in Artforum. 

Coco Fusco featured in The Art Newspaper. 

Luis Camnitzer and Coco Fusco included in Culture and The People: El Museo del Barrio, 1969–2019, curated by Susanna V. Temkin and Noel Valentin, at El Museo del Barrio, New York, NY. 

Harmony Hammond: Material Witness, Five Decades of Art featured in AFAR.  

Ricardo Brey included in Feast of Fools. Bruegel Rediscovered, curated by Luk Lambrecht and Lieze Eeneman, at Kasteel van Gaasbeek, Lennik, Belgium.  

Polly Apfelbaum's Waiting for the UFOs (a space set between a landscape and a bunch of flowers) reviewed by Cristina Albu for Informality Blog. 

Louis Camnitzer's work in Words/Matter:Latin American Art and Language at the Blanton reviewed in Artishock. 

Frank Bowling and Melvin Edwards featured in Elizabeth Flock's review of Soul of a Nation in PBS News Hour. 

Hassan Sharif featured in Bulgari Hotels. 

Lorraine O'Grady included in Harlem in Situ at the Addison Gallery of American Art, Phillips Academy, Andover, MA.

Frank Bowling included in Spilling Over: Painting Color in the 1960s, curated by David Breslin and Margaret Corss, at the Whitney Museum of American Art, New York, NY. 

Harmony Hammond: Material Witness, Five Decades of Art featured in CT Post.

Hassan Sharif featured in The National. 

Harmony Hammond spotlighted in The Magazine by Jenn Shapland. 

Ricardo Brey: Doble Existencia/Double Existence reviewed by Jonathan Goodman for the Brooklyn Rail. 

Melvin Edwards featured in Dyanne Weiss’s review of Soul of a Nation in Guardian Liberty Voice. 

Frank Bowling, Melvin Edwards, and Lorraine O'Grady discussed by Hilarie M. Sheets in The New York Times.

Melvin Edwards featured in Christopher Knight’s review of Soul of a Nation in the Los Angeles Times.

Ricardo Brey: Doble Existencia / Double Existence reviewed by Ellie Botoman for Artforum. 

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in Soul of a Nation: Art in the Age of Black Power 1963 –1983, curated by Mark Godfrey and Zoe Whitley, and organized by Sarah Loyer at The Broad, Los Angeles, CA. 

Melvin Edwards featured in Makeda Easter's review of Soul of a Nation in the Los Angeles Times. 

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Evan Moffitt in Frieze. 

Joan Semmel: A Necessary Elaboration reviewed by Emilia Dubicki for The Woven Tale Press. 

Ricardo Brey included in The Collection (I): Highlights for a Future at Stedelijk Museum voor Actuele Kunst (SMAK), Ghent, Belgium.  

Ricardo Brey: Doble Existencia / Double Existence reviewed in Blouin Artinfo.

Melvin Edwards in conversation with Ricardo Kugelmas for New City Brasil. 

Valeska Soares featured in Artforum. 

Valeska Soares featured in ArtNews. 

Joan Semmel's work Sunlight (1978) featured on The Jewish Museum's Medium page. 

Melvin Edwards featured in New City Art. 

Frank Bowling's survey at Tate Britain featured in ARTnews. 

Polly Apfelbaum: Waiting for the UFOS (a space between landscape and a bunch of flowers) reviewed by Dana Self in KC Studio. 

Harmony Hammond's survey exhibition, Material Witness, Five Decades of Art, curated by Amy Smith-Stewart, at The Aldrich Contemporary Art Museum, Ridgefield, CT.

Joan Semmel's work on view at ADAA Art Show featured in NY Social Diary. 

Ricardo Brey: Doble Existencia / Double Existence reviewed by Dimitris Lempesis for Dream Idea Machine. 

Alexander Gray Associates' presentation of work by Joan Semmel and Betty Parsons at ADAA: The Art Show discussed by Will Heinrich in The New York Times.

Harmony Hammond: Material Witness, Five Decades of Art reviewed by Blasz Takac for Widewalls. 

Luis Camnitzer solo exhibition Luis Camnitzer 1968–2018 at Parra & Romero, Madrid, Spain.

Harmony Hammond: Material Witness, Five Decades of Art featured in Galerie Magazine. 

Frank Bowling included in Mapping Black Identities at the Minneapolis Institute of Art, MN.

Frank Bowling's False Start (1970) discussed in the Star Tribune. 

Ricardo Brey: Doble Existencia / Double Existence previewed by Cuban Art News.

Luis Camnitzer's exhibition at El Reina Sofía reviewed by Pablo Álvarez in El Estado. 

Melvin Edwards' work on view at Frieze LA discussed by Daniel Gerwin in Hyperallergic.