News / Events

Hugh Steers' work on view at Frieze Los Angeles discussed by Ted Loos in Cultured Magazine.

Ricardo Brey solo exhibition Adrift at De Domijnen Museum, Sittard, Netherlands. 

Luis Camnitzer included in the exhibition Affective Utopia: Art as a Critical Tool curated by Bruno Leitão and Mónica de Miranda at Kadist, Paris.

Melvin Edwards solo exhibition Melvin Edwards curated by Ricardo Ortiz Kugelmas at Auroras, São Paulo, Brazil.

Hassan Sharif discussed by Stephanie Bailey in Ocula.

Joan Semmel: A Necessary Elaboration reviewed by Phoebe Hoban in Riot Material.

Lorraine O'Grady: Cutting Out CONYT reviewed by Colby Chamberlain in Artforum.

Joan Semmel discussed by Paddy Johnson in Observer.

Lorraine O'Grady and Betty Parsons discussed by Andrew Russeth in ARTnews, in conjunction with the exhibition She Persists: A Century of Women Artists in New York at Gracie Mansion, New York.

Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape and a bunch of flowers) reviewed by Laura Spencer in Kcur. 

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award in ARTnews.

United States Artists names Melvin Edwards as a recipient of the 2020 Visual Art Fellowship Award in Culture Type.

Regina Silveira's solo presentation, UP THERE, included in Além do infinito at the Farol Santander, São Paulo, Brazil.

Regina Silveira included in Passado/Futuro/Presente: Arte contemporânea no acervo do Museu de Arte Moderna de São Paulo, curated by Vanessa K. Davidson and Cauê Alves, at Museu de Arte Moderna, São Paulo, Brazil.

Lorraine O'Grady's upcoming retropsective at the Brooklyn Museum feautured in Artsy.

Lorraine O'Grady and Betty Parsons discussed by Jillian Steinhauer in The New York Times, in conjunction with the exhibition She Persists: A Century of Women Artists in New York at Gracie Mansion, New York.

Lorraine O'Grady and Betty Parsons included in She Persists: A Century of Women Artists in New York, 1919–2019 at the Gracie Mansion Conservancy, New York, NY.

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in the exhibition Black Refractions: Highlights from The Studio Museum in Harlem. Curated by Connie H. Choi, the exhibition is organized by Emily Kuhlmann at the Museum of the African Diaspora, San Francisco, CA.

Polly Apfelbaum is one of the recipients of the Creative Capital Awards 2019.

Joan Semmel: A Necessary Elaboration, reviewed by Elena Martinique in Widewalls.

Lorraine O'Grady, Art Is. . . (Women in Crowd Framed), 1983/2009, featured by Julia Wolkoff in Artsy.

Melvin Edwards discussed in Artforum.

Alexander Gray Associates announces Joan Semmel: A Necessary Elaboration, an exhibition of new work by Joan Semmel.

Hassan Sharif discussed by Jyoti Kalsi in Gulf News.

Joan Semmel: A Necessary Elaboration featured by Mark Segal in The East Hampton Star.

Luis Camnitzer interviewed by the Museo Nacional Centro de Arte Reina Sofía in conjunction with his retrospective: Hospice of Failed Utopias at the Museum.

Joan Semmel discussed by Jamie Robinson in The Spaces.

Joan Semmel included in A Woman Looking at Men Looking at Women curated by Kasia Redzisz at Museum Susch, Zernez, Switzerland.

Hassan Sharif discussed by Melissa Gronlund in The National.

Melvin Edwards discussed in Artforum.

Coco Fusco published an article in Frieze about Cuban Decree 349.

Lorraine O'Grady solo exhibition Lorraine O'Grady: Cutting Out CONYT at the Städtische Galerie Wolfsburg, Germany.

Alexander Gray Associates presents a curated selection of Gallery artists in SP-Arte 2018.

Frank Bowling discussed by Hilarie M. Sheets in The New York Times.

Joan Semmel discussed by Douglas Dreishpoon in The Brooklyn Rail.

Lorraine O'Grady discussed by Sebastian Smee in The Washington Post in conjunction with the exhibition Posing Modernity: The Black Model from Manet and Matisse to Today at the Wallach Art Gallery, Columbia University, Lenfest Center of the Arts, New York, NY.

Frank Bowling discussed by Morgan Kinney in Houstonia Mag.

Coco Fusco discussed by Jasmine Weber in Hyperallergic.

Polly Apfelbaum included in the group exhibition PRISM: The Art and Science of Light curated by Chris Clarke and Fiona Kearney at The Glucksman Gallery, Cork, Ireland.

Harmony Hammond included in the group exhibition Under/erasure curated by Heather and Raphael Rubinstein at Pierogi Gallery, New York, NY.

Lorraine O'Grady: Cutting Out CONYT reviewed by Jillian Steinhauer in The New York Times.

Joan Semmel featured by Jerry Saltz in Vulture.

Lorraine O'Grady: Cutting Out CONYT discussed in the New Yorker.

Polly Apfelbaum discussed by Irene Machetti in Fad Magazine.

Hassan Sharif discussed in by Steve Dow Art Guide Australia in conjunction with The 9th Asia Pacific Triennial (APT9) at the Queensland Gallery of Modern Art, Brisbane, Australia.

Melvin Edwards included in the group exhibition A Gathering: Sculpture from the Collection curated by Avis Larson at the Neuberger Museum of Art, Purchase College, State University of New York, Purchase, NY.

Frank Bowling, Melvin Edwards, and Lorraine O'Grady discussed in Artfix Daily in conjunction with the exhibition Black Refractions: Highlights from The Studio Museum in Harlem, NY. 

Hassan Sharif discussed by Nick Lavars in New Atlas in conjunction with The 9th Asia Pacific Triennial (APT9) at the Queensland Gallery of Modern Art, Brisbane, Australia.

Lorraine O'Grady: Cutting Out CONYT reviewed by Lauren O'Neil-Butler in Artforum.

Luis Camnitzer discussed by Tess Thackara in The New York Times.

Hassan Sharif discussed in Artnet News.

Coco Fusco discussed in e-flux in conjunction with her new video Coco Fusco: To Live in June with your Tongue Hanging Out (2018) to be displayed in Bar Laika on December 13, 2018.

Coco Fusco discussed by Niki Kottmann in Your Observer in conjunction with her solo exhibition Coco Fusco: Twilight at The John & Mable Ringling Museum of Art, Sarasota, FL.