News / Events

Polly Apfelbaum's The Potential of Women reviewed by Margaret Carrigan in Observer.

Polly Apfelbaum's The Potential of Women discussed by Nicole Bray for Art + Real Estate.

Coco Fusco dicusses art and politics in the Gainesville Sun.

Polly Apfelbaum's Stacked Animals (2016) included in the exhibition Put Me in the Zoo, curated by Suzanne McClelland and Ann Pibal, at Lucien Terras Gallery, New York.

Melvin Edwards and Lorraine O’Grady discussed by Pernilla Holmes in Frieze Magazine.

Poly Apfelbaum's The Potential of Women discused by Sarah Cascone in Artnet News. 

Alexander Gray Associates presents Polly Apfelbaum: The Potential of Women, the artist’s first exhibition at the Gallery. The exhibition features all new work, including gouache drawings, hand-woven rugs, and wall-mounted ceramics.

Valeska Soares exhibition Any Moment Now at the Santa Barbara Museum of Art was highlighted in Apollo Magazine. 

Regina Silveira and Valeska Soares included in Past/Future/Present: Contemporary Brazilian Art from the Museum of Modern Art, São Paulo at The Phoenix Art Museum, AZ.

Valeska Soares Any Moment Now, 2017 exhibition at the Santa Barbara Museum of Art, discussed in Jacaranda.

Hugh Steers' Bath Curtain, 1992, discussed by Muri Assunção in Vice. 

Melvin Edwards' exhibition and lecture at Carnegie Museam of art announced by Trib Live.

Melvin Edwards' work included in the exhibition 202/20 discussed ​by John Ortved in Vogue.

Kay Rosen is included in the group exhibition An Incomplete History of Protest: Selections from the Whitney's Collection, 1940 – 2017 at the Whitney Museum of American Art, New York. 

Polly Apfelbaum's work discussed by Christine Smallwood in New York Times Style Magazine.

Lorraine O'Grady's work on view at Soul of a Nation, at Tate Modern, London, reviewed by Geof Cowart for The Quietus.

Polly Apfelbaum’s Townsville (2000) included in Austin Collects Contemporary: Selections from the Blanton’s Recent Gift from The Contemporary curated by Beverly Adams, Carter Foster, and Veronica Roberts, at The Blanton Museum of Art, the University of Texas at Austin, TX.

A body of work by Melvin Edwards included in 20/20: The Studio Museum in Harlem and Carnegie Museum of Art at the Heinz Galleries,curated by Eric Crosby, Richard Armstrong, and Amanda Hunt, Carnegie Museum of Art, Pittsburgh.

Regina Silveira included in the exhibition Radical Women: Latin American Art, 1960–1985 curated by Cecilia Fajardo‐Hill and Andrea Giunta, at the Hammer Museum, Los Angeles, CA.

Polly Apfelbaum's Deep Purple, Red Shoes (2015) included in the exhibition Wall to Wall: Carpets by Artists organized by MOCA Cleveland and curated by Cornelia Lauf, at the Katonah Museum of Art, Katonah, NY.

Luis Camnitzer's Find an unnamed object and suggest a proper name for it., 2011, from the series "The Assignment Books" series, included in the exhibition Transhumance, curated by Sébastien Faucon and Marianne Lanavère at Centre National des Arts Plastiques, Paris.

Siah Armajani's Sacco and Vanzetti Reading Room No. 4, 1987-94, included in the exhibition Transhumance, curated by Sébastien Faucon and Marianne Lanavère at Centre National des Arts Plastiques, Paris.

Betty Parsons' 1979 profile by Grace Lichtenstein, republished in ARTnews with an introduction by Alex Greenberger.

Alexander Gray Associates is delighted to host Sanctuary in the City, an intimate cocktail party benefitting the 350 rescued animals at Woodstock Farm Sanctuary featuring light fare by Candle 79.

Ticket price: $200

Wednesday, June 14, 2017, 6:30 PM
Alexander Gray Associates
510 West 26 Street
New York NY

Harmony Hammond included in the exhibition Painting on the Edge: A Historical Survey at Stephen Friedman Gallery, London.

Joan Semmel included in the exhibition Painting the Visible World: American Woman Realists curated by Jody B. Cutler at Bernarducci Meisel Gallery, New York.

Coco Fusco in conversation with Carlos A. Aguilera for Hypermedia Magazine.

Hassan Sharif's Back To School, 2015, included the exhibition Ways of Seeing curated by Sam Bardaouil and Till Fellrath at Arter, Instabul, Turkey.

Lorraine O'Grady's Cutting Out The New York Times, 1977/2017, included in The Times at Flag Art Foundation, New York.

Lorraine O'Grady's work included in the exhibition We Wanted a Revolution at the Brooklyn Museum, discussed by Lovia Gyarkye in New Republic.

Betty Parsons: Invisible Presence at Alexander Gray Associates, discussed by Casey Lesser in Artsy.

Coco Fusco included in the exhibition After The Fact: Propaganda in the 21st Century curated by Stephanie Weber at the Städtische Galerie im Lenbachhaus und Kunstbau, Munich.

Siah Armajani's Irene Hixon Whitney Bridge, 1988, located in Minneapolis, MN, discussed by Jenna Ross in Star Tribune.

Alexander Gray Associates presents its first exhibition of work by Betty Parsons (b.1900, New York City, NY – d.1982, Southold, NY), since recently becoming the representative of the Estate.

Opening reception: Thursday, May 25, 2017, 6–8 PM

Betty Parsons: Invisible Presence at Alexander Gray Associates discussed by James Panero in The New Criterion.

Lorraine O'Grady included in the exhibition En Mas’: Carnival and Performance Art of the Caribbean curated by Claire Tancons and Krista Thompson, at the DuSable Museum of African American History, Chicago.

Betty Parsons: Invisible Presence at Alexander Gray Associates discussed in ARTnews.

Hassan Sharif included in the exhibition Good Printing curated by Yasmina Reggad at Gallery Isabelle van den Eynde, Dubai.

Siah Armajani's Elements Number 30, 1990, on view at the Museum of Modern Art, New York, discussed by Liz Hirsch in ARTnews.

Alexander Gray Associates hosted the book launch by authors Michael Suchman and Ethan Ciment (Vegan Mos), of NYC Vegan: Iconic Recipes for a Taste of the Big Apple.

Tuesday, May 16, 2017, 6:30 PM
Alexander Gray Associates
510 West 26 Street, New York NY

Hassan Sharif's installation on view at the 57th Venice Biennale, Viva Arte Viva, discussed by Adrian Searle in The Guardian.

Alexander Gray Associates is pleased to announce the inclusion of Hassan Sharif in the 57th Venice Biennale, Viva Arte Viva in Venice, Italy, curated by Christine Macel.

Regina Silveira's Touch, 2016, included in the exhibition Planet 9 at Kunsthalle Darmstat, Germany.

Luis Camnitzer included in the exhibition Márgenes at Museo de Historia del Arte, Montevideo, Uruguay.

Joan Semmel included in the exhibition Hope and Hazard: A Comedy of Eros curated by Eric Fischl, at Hall Art Foundation, Reading, VT.

Lorraine O'Grady included in the exhibition Woman: Feminist Avant-Garde of the 1970s curated by Gabriele Schor and Eva Badura-Triska at Museum Moderner Kunst (MUMOK), Vienna.

Lorraine O'Grady's series Miscegenated Family Album, 1980/1994, discussed by Vinson Cunningham in The New Yorker.

Alexander Gray Associates presented work by Jack Tworkov at Frieze New York 2017 art fair.

May 5 - 7, 2017
Frieze | New York | Main Galleries Section | Stand D41 (at the South entrance)
Randall's Island Park, New York

Melvin Edwards' exhibition Melvin Edwards: In Oklahoma at Alexander Gray Associates, discussed by Evan Moffitt in Frieze Magazine.

Melvin Edwards' solo exhibition at Buchholz Galerie, discussed by Laurie Rojas in The Art Newspaper.

Melvin Edwards in The New York Times by Jason Farago.

Melvin Edwards solo exhibition featuring wall-based and freestanding sculptures, works on paper, and debuting a new barbed wire installation at Galerie Buchholz, Berlin.

Talk: Polly Apfelbaum at the Massachusetts College of Art and Design (MassArt), Boston.

Wednesday, April 26, 2017, noon
Massachusetts College of Art and Design
Design and Media Center Lecture Hall
610 Huntington Ave, Boston