News / Events

Betty Parsons' African Dawn, 1972, unveiled at Louis Vuitton, New York, reviewed by Evan Prince in WWD.

Melvin Edwards included in the group exhibition The Long Run organized by Paulina Pobocha and Cara Manes at The Museum of Modern Art, New York.

Split (1998) included in the Pulse of Color at the Kemper Museum of Contemporary Art, Kansas City, MO. 

Valeska Soares' solo exhibition Neither Here Nor There at Alexander Gray Associates, reviewed by Kaelen Wilson-Goldie in Artforum.

Hassan Sharif's inclusion in the Louvre Abu Dhabi discussed Saffiya Ansari in Arab News.

Melvin Edwards' Lynch Fragments discussed by Cheryl Finley in Artforum.

Hugh Steers' work discussed by Stephen Truax in Artsy.

Luis Camnitzer is included in the exhibition Lección de Arte at Museo Nacional Thyssen-Bornemisza, Madrid, Spain.

Hassan Sharif discussed by Melissa Gronlund in The National.

Melvin Edwards' work in Solidary & Solitary reviewed by D. Eric Bookhardt in Gambit.

Hassan Sharif's retrospective at the Sharjah Art Foundation, UAE, reviewed by Nick Leech in The National.

Valeska Soares’ Fainting Couch (2002) is currently on view in the exhibition Out of Sight! Art of the Senses, at the Albright-Knox Art Gallery, Buffalo, NY. 

Luis Camnitzer and Valeska Soares' exhibitions as a part of Pacific Standard Time discussed by Elisa Wouk Almino in Hyperallergic.

Talk: Tanya Barson on the work of Valeska Soares at the Santa Barbara Museum of Art.

Thursday, November 3, 2017 5:30 PM
Santa Barbara Museum of Art
1130 State Street, Santa Barbara, CA 93101

Talk: Joan Semmel to disscuss her work at the New York Academy of Art, NY.

Wednesday, November 1, 6:00 PM 
New York Academy of Art
111 Franklin St, New York, NY

Luis Camnitzer’s Mine on view in the exhibition Take Me (I’m Yours) Curated by Christian Boltanski, Hans Ulrich Obrist, Chiara Parisi, and Roberta Tenconi, at Pirelli HangarBicocca, Milan.

Joan Semmel's work discussed by Rachel Corbett in The New York Times Style Magazine.

Soul of a Nation, including work by Lorraine O’Grady, at Tate Modern, reviewed by Sabo Kpade in OkayAfrica.

Hassan Sharif's retrospective Hassan Sharif: I Am The Single Work Artist at the Sharjah Art Foundation reviewed by Nick Leech in The National.

Alexander Gray and Coco Fusco quoted in ARTnews on sexual harassment and gender politics.

Valeska Soares solo exhibition Neither Here Nor There at Alexander Gray Associates, previewed by Sarah Cascone in Artnet News. 

Coco Fusco's video Operation Atropos, 2006, discussed by Hettie Judah in The New York Times.

Melvin Edwards's work included in Art of Rebellion at the Detroit Institute of Art discussed by Sarah Rose Sharp in Hyperallergic.

Valeska Soares solo exhibition Neither Here Nor There at Alexander Gray Associates previewed in ARTnews.

Talk: Jens Hoffman on the work of Valeska Soares at the Santa Barbara Museum of Art, CA.

Sunday, October 22, 2017, 2:30–4 PM
Santa Barbara Museum of Art
1130 State Street, Santa Barbara, CA 93101

Polly Apfelbaum's The Potential of Women posted on Contemporary Art Daily.

Polly Apfelbaum solo exhibition The Potential of Women at Alexander Gray Associates reviewed by Torey Akers in This is Tomorrow.

Kay Rosen's representation by Alexander Gray Associates announced in ARTnews.

Regina Silveira's Installation on the facade of the Museo de la Memoria, Brazil, for BienalSur discussed by Lidia Hernández Tapia in Cuban Art News. 

Joan Semmel discussed by Francesca Gavin for Sleek Magazine. 

Regina Silveira Mundus Admirabilis (2017) is included in the group exhibition Future Shock at SITE Santa Fe, New Mexico.

Melvin Edwards' participation in Frieze Masters discussed by Alexander Forbes in Artsy.

Alexander Gray Associates presents paintings by Betty Parsons (1900–82).

Coco Fusco and Hari Kunzru respond to recent controversies surrounding appropriation in an article for Frieze Magazine.

Polly Apfelbaum's Flags of Revolt and Defiance, 2016, are currently on view at The Whitney Museum of American Art, New York. 

Joan Semmel is included in the book The Art of the Erotic published by Phaidon. 

Polly Apfelbaum's The Potential of Women reviewed by Michael Tomeo in Medium.

Luis Camnitzer's piece titled The Time Project (2017) was included in the Curitiba Biennal 2017, Curitiba Brazil. 

Coco Fusco plans workshops with Sandra Ceballos at Aglutinador in Havana.

Parapolitics: Cultural Freedom and the Cold War, including work by Luis Camnitzer, at Haus der Kulturen der Welt (HWK) discussed in e-flux.

Talk: Hugh Seers's work and legacy discussed by Sam McKinniss, Bryson Rand & Ursula Davila-Villa at MoMa PS1.

Saturday, September 23, 2017, 3 PM
MoMA PS1 
2225 Jackson Ave 
Long Island City, NY, 10001 

Betty Parsons disscussed by Sam Bardaouil and Till Felrath in Frieze Magazine.

Valeska Soares included in The Half-Life of Love, curated by Margo Cohen Ristorucci, at MASS MoCA North Adams, MA.

Polly Apfelbaum's The Potential of Women reviewed in the New Yorker.

Polly Apfelbaum's The Potential of Women reviewed in Blouin Artinfo.

Hassan Sharif, Reading is Making : Books and Boxes at gb agency in Paris.

Valeska Soares: Any Moment Now brings together forty-nine artworks, consisting of installation, sculpture, photography, and video, dating from the early 1990s to the present. 

Regina Silveira's Artificio, 1977, included in Video Art in Latin America, curated by Glenn Phillips and Elena Shtromberge, at LAXART, Los Angeles.

Lorraine O'Grady's work discussed by Claire Voon in Hyperallergic.

Regina Silveira's group exhibition Radical Women: Latin American Art, 1960–1985 reviewed by Anna Furman for The Cut. 

Valeska Soares's exhibition Any Moment Now discussed by Charles Donelan in The Santa Barbara Independent.

Valeska Soares' retrospective exhibition Any Moment Now discussed by Stephanie Cavagnaro in National Geographic. 

Valeska Soares's work discussed by Gustavo Pérez Diez in Arteinformado.