News / Events

Regina Silveira's inclusion in the Museum of Modern Art's new permanent collection display featured in ARTnews. 

Joan Semmel's inclusion in The Museum of Modern Art's new collection display featured in The Art Newspaper.

Melvin Edwards and Regina Silveira featured in Artsy's reflection on the Berlin Wall. 

Regina Silveira included in Recovering Stories, Recovering Fantasies at The National Museum of Saudi Arabia, Riyadh, Saudi Arabia.

Melvin Edwards included in Theater of Operations: The Gulf Wars 1991–2011 at MoMA PS1, Long Island City, NY.

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Haper's Bazaar. 

Melvin Edwards' inclusion in Soul of a Nation at the de Young Museum featured in Marina Times. 

Melvin Edwards' inclusion in Soul of a Nation: Art in the Age of Black Power, 1963–1983 at the de Young Museum featured in Juxtapoz.

Teresa Burga reviewed by Jan Avgikos in the November 2019 print issue of Artforum.

Lorraine O'Grady's inclusion in Exodus at The Watergate Complex, Washington D.C. featured in artnet News. 

Harmony Hammond's first European solo exhibition at White Cube Bermondsey featured in Elephant Magazine. 

Frank Bowling included in Contemporary Art: Five Propositions at the Museum of Fine Arts Boston, MA. 

Betty Parsons included in Abstract Expressionism Revisited at Guild Hall Museum, East Hampton, NY. 

Hassan Sharif's inclusion in Taking Shape: Abstraction from the Arab World, 1950s–1980s at New York University’s Grey Art Gallery featured in Al-Fanar Media. 

Melvin Edwards: Painted Sculpture featured in ArtsGazing. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, reviewed by Emily LaBarge for Artforum. 

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in Artforum.

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in El Mostrador.

Harmony Hammond included in Rebecca Solnit and Joshua Jelly-Schapiro's City of Women 2.0, featured in ARTnews.

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in Frieze.

Luis Camnitzer featured on Hans Herzog's blog A Latin American Art Serial. 

Valeska Soares included in The Enchanted Interior, curated by Madeleine Kennedy, at Laing Art Gallery, Newcastle upon Tyne, United Kingdom.

Lorraine O'Grady included in Truthiness and the News, organized by Sam Adams, at deCordova Sculpture Park and Museum, Lincoln, MA. 

Lorraine O'Grady's inclusion in The Museum of Modern Art's new collection display featured in ARTnews.

Harmony Hammond featured in Women’s Wear Daily.

Joan Semmel honored with the Impact Award at Pratt Institute’s 2019 Alumni Achievement Awards Ceremony. 

Luis Camnitzer included in the exhibition Mental Border Control at Museo de la Memoria, Cúcuta, Colombia.

Melvin Edwards: Crossroads and Generations: A History of Black Abstract Art featured in e-flux.

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The New York Times Style Magazine. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The New York Times.

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured Frieze.

Ashton Cooper discusses Harmony Hammond's Presences series in Artforum's October 2019 print issue. 

Melvin Edwards: Crossroads featured in Garden & Gun's October/November 2019 issue. 

Teresa Burga reviewed by Jonathan Goodman for Whitehot Magazine. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in artnet News. 

Frank Bowling's retrospective at Tate Britain reviewed by Gabriel Coxhead in Art in America. 

Melvin Edwards included in Generations: A History of Black Abstract Art, curated by Christopher Bedford and Katy Siegel, at Baltimore Museum of Art, MD.

Ricardo Brey included in Les Abeilles de l'Invisible at Musée des Arts Contemporains, MAC's, Le Grand-Hornu, Boussu, Belgium.

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in The Financial Times. 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Apollo Magazine 

Betty Parsons's solo exhibition at Alison Jacques Gallery, The Queen of the Circus, featured in Evening Standard Magazine. 

Melvin Edwards featured in Christopher Knight's review of LA Blacksmith for The Los Angeles Times. 

Betty Parsons included in Garden at Sargent’s Daughters, New York, NY. 

Coco Fusco interviews Pope L. for Art Basel. 

Harmony Hammond included in Otherwise Obscured: Erasure in Body and Text, curated by Danilo Machado, at Franklin Street Works, Stamford, CT.

Betty Parsons' solo exhibition at Alison Jacques Gallery featured in Ocula. 

Joan Semmel's Skin in the Game featured in artnet News.

Frank Bowling included in The Shape of Abstraction: Selections from the Ollie Collection, curated by Gretchen L. Wagner and Alexis Assam, at the Saint Louis Art Museum, MO. 

Frank Bowling, Teresa Burga, and Lorraine O'Grady featured in The Artsy Vanguard 2019: 50 Artists to Know Right Now. 

Harmony Hammond included in Art after Stonewall, 1969–1989, curated by Jonathan Weinberg, Tyler Cann, and Drew Sawyer, at the Patricia and Phillip Frost Art Museum, Miami, FL.

Luis Camnitzer's exhibition, Cuaderno de Ejercícios, featured in Observador.

Frank Bowling, Melvin Edwards, and Lorraine O'Grady included in the exhibition Black Refractions: Highlights from The Studio Museum in Harlem, curated by Connie H. Choi, at Kalamazoo Institute of Arts, MI. 

Melvin Edwards and Regina Silveira included in Walking Through Walls, curated by Sam Bardaouil and Till Fellrath, at Martin-Gropius-Bau, Berlin, Germany.