News / Events

Frank Bowling, discussed in conjunction with the exhibit Soul of a Nation: Art in the Age of Black Power, by Andrea Leonhardt, in the BK Reader.

Hassan Sharif, included in the group show We Began By Measuring Distance, at the Musée d'art Moderne et Contemporain, Geneva (MAMCO).

Coco Fusco, included in the group exhibition Age of Terror: Art Since 9/11 at the Imperial War Museum, London.

Kay Rosen, included in the group exhibition This Brush for Hire: Norm Laich and Many Other Artists curated by Jamilah James at the Institute of Contemporary Art, Los Angeles (ICA LA).

Hassam Sharif, included in the group exhibition 40 Years of Passion: Collection David H. Brolliet, Geneva, curated by Véronique Hillereau and Yann Rudler, at the Foundation Fernet Branca, Saint-Louis, France.

Harmony Hammond: Inapprorpiate Longings, at Alexander Gray Associates, included in Artnet's Editor's Picks of things to see in New York. 

Melvin Edwards included in the group exhibition On Edge (The Domestic Plane) organized by Richard Klein at The Aldrich Contemporary Art Museum, Ridgefield, CT. 

Joan Semmel included in the group exhibition In the Cut – Sexuality in Feminist Art at Stadtgalerie Saarbrücken, Germany.

Hassan Sharif included in the group exhibition A Century in Flux: Highlights from the Barjeel Art Foundation, curated by Salwa Milkdadi, Mandy Merzaban, and Karim Sultan, at the Sharjah Museum, UAE.

Jack Tworkov, writings about Chaim Soutine, featured on ARTnews.

Coco Fusco featured as one of the "51 Artists, Curators, Directors, and Dealers Changing the Art World in 2018" in the Observer.

Coco Fusco wrote an article for Hyperallergic. 

Alexander Gray Associates' presentation at Frieze New York (2018), featured by Sarah Roffino in Cultured Magazine.

Hugh Steers, profiled by James Cassell in The Gay & Lesbian Review.

Betty Parsons, discussed in ARTnews in conjunction with the Frieze (2018) fair, at Randalls Island, New York, NY.

Alexander Gray Associates will participate in Frieze New York 2018, presenting a curated selection of Gallery artists. 

Alexander Gray Associates is pleased to announce representation of Ricardo Brey.

Harmony Hammond: Inappropriate Longings, at Alexander Gray Associates, New York, NY, reviewed by Jaime Ramirez in ARTE FUSE.

Melvin Edwards, discussed in Hudson Valley One. 

Alexander Gray Associates announces Soul of a Nation: Art in the Age of Black Power, including work by Frank Bowling, Melvin Edwards, and Lorraine O'Grady at Crystal Bridges Museum of American Art, Bentonville, AR.

Hassan Sharif documentary, Sharp Tools (2017), directed by Nujoom Al-Ghanem won Best Film at the Ismailia Int'l Film Festival, Giza, Egypt.

Frank Bowling, discussed by Richard Assheton in The Quietus. 

Kay Rosen is included in the group exhibition This Brush for Hire curated by John Baldessari and Meg Cranston at the Institute of Contemporary Art, Los Angeles. 

Harmony Hammond: Inappropriate Longings (2018), at Alexander Gray Associates, New York, NY, featured by Genevieve Kotz in the Hampton Arts Hub.

Hassan Sharif, discussed by Melisa Gronlund in The National.

Joan Semmel, discussed by M.H. Miller in T Magazine.

Melvin Edwards, discussed by Rachel Lebowitz in Artsy.

Melvin Edwards, interviewed by Catherine Craft for the Nasher Sculpture Center blog in connection with the exhibition Melvin Edwards: Five Decades, at the Nasher Sculpture Center. 

Kay Rosen, discussed by Lori Waxman in the Chicago Tribune.

Melvin Edwards' work is highlighted in the exhibition Passages: Sculptures and Prints by Melvin Edwards, 1989-2017, at the Kingsborough Art Museum, Brooklyn, New York.

Kay Rosen, Kay Rosen: Stirring Wirds, at Alexander Gray Associates, reviewed by Louis Bury in Hyperallergic. 

Melvin Edwards is included in the group exhibition Art of Protest, at the Fralin Museum of Art, University of Virginia

Luis Camnitzer's collaboration with artist Gabo Camnitzer is included in the 11th Mercosul Biennial, Porto Alegre, Brazil. 

Kay Rosen, Kay Rosen: Stirring Wirds, at Alexander Gray Associates, reviewed by Claire Selvin in ARTnews.

Valeska Soares is included in the group exhibition The Half Life of Love curated by Margo Cohen Ristoruscci at MASS MoCA, North Adams, MA.

Kay Rosen, Kay Rosen: Stirring Wirds, at Alexander Gray Associates, reviewed by Swon Kon in 4Columns. 

Valeska Soares is giving a lecture at the Phoenix Art Museum in connection with her Mid-Career Retrospective titled Any Moment Now.

Hassan Sharif was mentioned in The National.

Harmony Hammond, featured in the book: FRAY - Art & Textile Politics by Julie Bryan-Wilson.

Kay Rosen's piece for the Cleveland Front Triennial was highlighted in Crain's Cleveland Business.

Lorraine O'Grady's work for the exhibition Reclaimed at the Linda Pace foundation was highlighted in Glasstire.

Luis Camnitzer is included in the exhibition Intervention at Subte at Subte Centro de Exposiciones, Montevideo, Uruguay.

Betty Parsons' presentation at the 2018 Armory Show was discussed in The Observer.

Betty Parson at the Armory Show 2018 featured in Observer.

Group exhibition Effects that Aren't Special: The 40th Annual Photography Regional curated by Tim Davis at the Opalka Gallery, New York.  

Joan Semmel's work was discussed in KCW Today. 

Lorraine O'Grady included in the group exhibition Reclaimed at the Linda Pace Foundation, San Antonio, TX.

Luis Camnitzer, Falto De Palabara at NC Arte, Colombia was highlighted in El Espectador.

Kay Rosen, Kay Rosen: Stirring Wirds at Alexander Gray Associates, reviewed by Lauren O'Neill-Butler in Artforum.

Polly Apfelbaum included in the exhibition Carry the Bend at Brennan & Griffin, New York, NY.

Kay Rosen, Kay Rosen: Stirring Wirds, at Alexander Gray Associates, New York, NY, discussed by Sandi Di Yu in Art Rabbit. 

Joan Semmel, Sunlight, 1978 was displayed during the Jewish Museum's Wikipedia Edit-a-thon event.

Lorraine O'Grady's performance work was profiled in The Drama Review by the writer Beth Capper.