Jennie C. Jones’s interdisciplinary practice seeks to engage viewers visually and aurally. Drawing on painting, sculpture, sound, and installation, her unconventional materials and reductive compositions highlight the perception of sound within the visual arts. Capturing what Jones has termed "the gesture of sound,” Untitled (Segue Score) Diptych #3 (2021) plays with the five lines of the staff, turning it vertically and reimagining it as an abstract device whose rises and falls evoke the reverberations of a spectogram. Recalling expanded understandings of music that were advanced by Fluxus artists and composers like John Cage, the work establishes a connection between drawing and music, transforming gesture into booming crescendo.