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    Open a larger version of the following image in a popup: Kianja Strobert, E1, 2021
    Open a larger version of the following image in a popup: Kianja Strobert, E1, 2021
    Open a larger version of the following image in a popup: Kianja Strobert, E1, 2021
    Open a larger version of the following image in a popup: Kianja Strobert, E1, 2021
    Open a larger version of the following image in a popup: Kianja Strobert, E1, 2021
    Open a larger version of the following image in a popup: Kianja Strobert, E1, 2021 Subliminal Horizons, Installation View, Alexander Gray Associates, New York (2021).

    Kianja Strobert

    E1, 2021
    Metal lathe, papier mâché, and acrylic paint
    Approx 35 x 18 1/2 x 2 1/4 in (88.9 x 47 x 5.7 cm)
    KS019

    Further images

    • (View a larger image of thumbnail 1 ) Kianja Strobert, E1, 2021
    • (View a larger image of thumbnail 2 ) Kianja Strobert, E1, 2021
    • (View a larger image of thumbnail 3 ) Kianja Strobert, E1, 2021
    • (View a larger image of thumbnail 4 ) Kianja Strobert, E1, 2021
    • (View a larger image of thumbnail 5 ) Kianja Strobert, E1, 2021
    • (View a larger image of thumbnail 6 ) Kianja Strobert, E1, 2021
    Kianja Strobert’s mixed-media sculptures and works on paper share a coarseness of texture and an expressive line. Often working in series, Strobert strives to maintain a similar rhythm throughout each...
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    Kianja Strobert’s mixed-media sculptures and works on paper share a coarseness of texture and an expressive line. Often working in series, Strobert strives to maintain a similar rhythm throughout each work by implementing similar color palettes and visual motifs, as in a recent series that combined sculptures of concrete blocks and terracotta shards with bold abstractions on paper rendered in vibrant autumnal hues. Her delicate and colorful works reveal a preoccupation with assuring that every edge of the composition commands an illusion of depth, perspective, light, and motion. Pushing the boundary between abstraction and figuration, Strobert’s works have no identifiable subject and yet are highly evocative of light and, perhaps, space.
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